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by Usky

What constitutes a favourite?

3 August, 2011 in Art, People, Places

We all have favourite things in our lives… clothes, cars, places, etc. but the question I’d like an answer to is, what makes something special enough for it to become one of your favourite things?

henri-cartier-bresson

Henri Cartier-Bresson's Paris

For me favourite things fall into specific categories, especially where images are concerned. A photograph that is sublimely composed for instance, or one that leaps out of the frame thanks to some stunning content… I’m thinking about images by other photographers here, like this one by Henri Cartier-Bresson from his Paris Studies.

Napalm Girl by Huynh Cong ‘Nick’ Ut

Napalm Girl by Huynh Cong ‘Nick’ Ut

Or this one by Huynh Cong ‘Nick’ Ut who in June 1972 took the iconic image of 9 year old Kim Phuc fleeing her village after a napalm attack by American bombers.

Ansel Adams, Landscapes Of The American West

Ansel Adams, from Landscapes Of The American West

Or then again any one of perhaps a hundred images by the wonderful Ansel Adams who photographed the raw beauty of America and the American peoples like no-one either before or since.

I wish I had just a little of the talent of photographic artists like these.

When it comes to my own images I tend to be hyper-critical and while I am happy to post various ‘snaps’ here there are very few that I really, really, like.

That said I do have more than a few photographs that are poorly composed, badly framed, ill-lit and generally second rate, that despite their faults I really do like. Some have happened ‘by accident’ so to speak, others have been deliberately taken with knowledge afore-hand that they will not satisfy artistically, but will be pleasing to the eye anyway… one such is this one:

Sunrise at East Looe

Sunrise at East Looe

It was early morning… well before 6:00am anyway… and I’d left my tripod at the hotel, so used a handy railing to steady the camera as best I could while I shot a series of quite long exposures to capture the sun rising out of the water. It would have been so much easier with the camera securely mounted, but I knew I’d miss the shot if I went back to the hotel to get the tripod so I just crossed my fingers and hoped… this is the best of that series… I love the gentle colours and the rocks in silhouette. The image is far from perfect, but it graces my wall as a 33″ x 24″ mounted print and never fails to illicit a comment from first-time viewers.

I guess it just goes to prove, some things don’t have to be perfect to be a firm favourite.

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by Usky

Time Passages

1 August, 2011 in Places

As a photographer I have long been impressed by the effect the passage of time has on light and the way a subject is lit. As a guitar playing individual I have long been impressed by the talent of Al Stewart and particularly his album Time Passages.

Looe Sunset

Looe Sunset

Barely a minute separates these two images of the sun setting over the sea at Looe in Cornwall… but what a difference a minute makes!

Looe Sunset 2

Looe Sunset 2

You could be fooled into thinking these pictures are shown in the wrong order, but I assure you the top image was grabbed first despite it appearing darker and more ‘sun-setty.’ Don’t you just love the way the fading light combined with the setting sun gives it al all-over magenta glow? And just why did that warmth disappear so quickly? Lightthe photographer’s most favoured tool.

And now for those of you who may be unaware of Al Stewart’s work, this:

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by Usky

Night Lights

22 May, 2011 in Art, Places, Transport

There’s something magical about cityscapes after dark don’t you think?

You can click on the images for larger views.

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by Usky

Enigma Variations anyone?

30 April, 2011 in Photoshop, Places

Panoramic image of south east Gwent

Variations in Natural Light

A question often asked by budding photographers is, ‘How do I compensate for variations in natural lighting when setting up a shot?’ It’s an excellent question, but one to which there is no easy answer; every photographer uses light differently to capture the image he sees in his mind when composing his shot. Some photographers love the harsh contrasts achieved from strong sunlight, others prefer the subtler tones you get from overcast conditions. Consideration has to be given to the time of day; longer shadows are generated by a low sun so images taken in the early morning and evening will look very different from images taken at midday, no matter how bright the light. It is something of an enigma for many people.

The panoramic image above (click the image to enlarge it) was taken on one of those days when we experience a range of different light levels; conditions are brighter to both east and west, while a band of rain makes its way through the centre of the image. For those interested in such things the panorama is stitched from seven individual images shot in the RAW format and ‘developed’ in Photoshop using identical settings. I was drawn to take the images by the variation in cloud and light, so the sky is really more important to me than the foreground. That said I attempted to expose my shots to ensure the the foreground would not be completely lost. Given the ‘dullness’ of my position I mounted the camera on a tripod and used quite long exposures; these ranged from 1/8s to 1/30s at f11.

Artistically I dislike the resulting image; I consider I failed to adequately achieve my intentions. I use it to remind myself that it is easy to get things wrong when playing with natural light. The one saving grace of this panorama is the way it demonstrates how light can vary so dramatically at any given instant; hence my tribute to Elgar and his Enigma Variations.

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Spring is sprung

18 April, 2011 in Flora

Bluebell Wood

Bluebell Wood - click to enlarge

I’ve always loved this time of year… the shift from Winter to Spring… new life bursting forth transforming a somewhat drab landscape with an infusion of shades and colours. Snowdrops, daffodils and crocuses are always first on the scene, but for me the real harbinger of Spring are the more delicate cowslip, primrose and bluebell.

Not far from where I live is a small, natural woodland known as Bluebell Wood… bet you can’t guess why!

When weather conditions are right the casual passer by is treated to a veritable light-show as a gentle breeze stirs the trees forming dappled patterns of sunlight that dance through the canopy to fall upon the blooming carpet below. Yes indeed, Spring is sprung!

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